Read some reviews of Rory's Brave Faces album.
"...eloquently expressed ideas are set to vibrant,
dynamic music with bouncy rhythms, infectious riffs and nifty tunes. McLeod
transmitted a pure joy of music making ..."
"Atavistic peoples' music ... something uncommon
and most certainly an endangered species. You'll know Rory when you see
him - above all don't miss him next time he's here."
"Rory is a dynamic live performer - never
still or silent, his shows radiate energy. All this dynamism does not
obliterate his songs which are always thought-provoking and well crafted.
Get hold of one of his albums and come and see one of the folk circuit's
greatest live performers."
"...he inspired both a standing ovation on the main
stage and widespread enthusiasm at his many workshops."
"He immediately won the hearts of people by playing
a tune on his harmonica to a crying baby, who was so astounded that it
stopped crying (temporarily)! For an encore he played Back to Donegal
at the request of the crowd which did not want to see him go."
"Like a human organ-grinder..."
"Rory McLeod was another revelation ... He also proved
to be a risk-taking performer leaving the Tinely stage during a harmonica
piece to walk among the audience, completing the tune without the PA system!"
"If you're up there God, then please look after Rompin'
Rory, some of us down here need this boy more than breath, love and tears"
"Rory McLeod has a profound disadvantage - for pigeon-holers
and hacks - that he is so original it's nigh impossible to compare him
with anyone else. Writing songs packed with streams of words, often so
dense that the casual listener could easily let the craft, beauty and
power of the content slip by. An awe inspiring live performer who, you
discover when you repay his craft with the scrutiny it deserves, writes
quite brilliant songs."
"These nine songs are among the most interesting
you're going to hear all year."
Previous Record Reviews:
Mouth To Mouth (Double CD):
'"This album is getting acclaim world wide and it's easy to hear why. This man makes socio-political stance a joyous right instead of a tiresome ballad. A body of work that's fresh and full of life, laughter and song." (XPress, Perth, 11 Jan 2001)
"His songs evoke a life lived at the edge with great joy" (Northern Rivers Echo, Byron Bay, 11 Jan 2001)
"Unorthodox and brilliant" (Green Left, Weekly, Australia, 1 Feb 2001)
"Immerse yourself in the vibrant and emotive words and music of Rory McLeod and you will certainly feel most pleased to be alive!" (Beat Magazine, Melbourne, 7 Feb 2001)
"A treasure trove." (Geelong Advertiser, Geelong, 18 Feb 2001)
"A panoramic collection of infectious songs and instrumentals that is fully of warmth, humour and insights... Affectionate songs about 'ordinary' people." (Canberra Times, Canberra, 1 Mar 2001)
"Rory's tune smithery is impressive throughout... Songs are strong, rhythmic and singable which is striking for someone so prolific" ( 'Folk Roots', UK)
"Rory McLeods insidious charm and unflustered bravery are a delight to uncover. A lyrical eloquence that's cheeky, endearing, strong and striking. This is an overtly political album in many ways (Personal to international) while acknowledging the ties that bind the family without cloying sentimentality." ( 'Sounds' UK)
Kicking The Sawdust:
"No-one, not one soul in this whole crazy world, can help but fall in love with Rory McLeod's latest Double CD 'Kicking The Sawdust.' ...an album infused with happiness, with not one dud track. Jam packed with 21 wildly original tacks. Each song is a delight with playful tunes and lyrics worth listening to, time and time again." ( Nic Rigby. Evening News. UK)
"Restless footsteps and the pulsing heartbeat of the music takes the listener on journeys through the streets of Britain, the dusty plains of the East and the ramble tamble of the south Americas. There are some excellent melodies at play; it's Mcleod who provides the beating heart." ( 'Broadbeat', Scotland)
"I love this record, it's non-stop aural caressment.... Singing Copper is a journey to a policemans' heart and soul, a high point lyrically. This is world music, real, vital and intensely listenable. Probably one of the best collection of Love songs you'll ever hear." ( Rock and Reel. UK)
" ...philosopher Descartes had it right when he said " the simplest man with passion will be more persuasive than the most eloquent without." Add a traveller's ability as a teller of tales and a compassionate eye for detail and you get the idea." ('Entertainer' - Australia)
"Lovers of folk music will breathe a huge sigh of approval upon auditioning Rory's superbly crafted release." (Cape Country Courier' – Tasmania)
Lullabies For Big Babies:
There's a tendency to dismiss Rory McLeod as a glorified novelty act, a maverick one band who's a great live act willfully dipping into different styles, but doesn't somehow merit consideration as a serious songwriter. This is the album to blow that myth out of the water. Here the stylistic form is as seemingly random as ever, a veritable musical maze of ideas, but the lightning barrage of words isn't quite as intimidatingly clever as it can be, with the result that you end up admiring the quality of the songs rather than the performance. McLeod's instinctive inventiveness is especially acute this time round too. A Cut In Pay marries a clever lyric about monetarism, which someone should send to Bob Geldof to play at the next G8 summit, to a full-blooded Caribbean steel drum sound. It also includes some mighty yodelling on Hank Williams's Rambling Man, an optimistic cover of Dylan's The Man In Me, a glorious soulful acapella version of the standard Glory Of Love that's worthy of Smokey Robinson, an unnerving, unaccompanied old-timey Oh Death (a variant of which was once sung demonically by Peter Bellamy) and a lovely slide guitar romp through Jerry Reed's Guitar Man, famously covered by Elvis.
It's fun but it has substance and his own songs offer the authentic voice of the intrepid, singular troubadour McLeod has been for so long. He's always sided with the underdog, but with Guitar Man pointing the way, the poor old travelling songsmith is invariably the one being championed here in colourful, anecdotal songs like the 7-minute Not For Sale, the gorgeous, gently defiant Cold Blow These Winter Winds and, mostly for laughs, The Man Who Couldn't Say Goodbye. Emperor's New Clothes - played to a background of his son's sampled voice - must surely rank as one of the best things he's ever written. I'm not too sure the deceptively jaunty arrangement works with choir and all, but Ballad Of The Burston School Strike - relating the extraordinary story of a strike by Norfolk schoolchildren in 1911 with far-reaching consequences - could even become his The World Turned Upside Down.
It's true that the best live performers can't always transfer the magic into the studio and some element of that may also apply to Rory's past recording career. Not anymore it doesn't though. This is the poodle's rude bits
Colin Irwin. Folk Roots. August 2005.
In which the inimitable Rory McLeod joins the likes of Woody Guthrie, Pete Seeger, Tom Paxton and Cilla Fisher in making a children’s album. But Rory being Rory is several steps beyond nursery rhymes and while the themes and imagery certainly have child appeal, it carries enough charm and wit to appeal to grown-ups too. Songs, tunes and monologues all come with that glint in the eye and sideways smile that invariably characterises the McLeod songbook, with invigorating harmonica, trombone, guitar, banjo and all manner of percussion and tap dancing to keep you listening.
A lot of the material is already tried and tested having originated in a theatre piece for children, Huff Puff And Away, performed with the Scottish dance company Tabularasa, and there’s one particularly compelling story, Death In A Nutshell, sometimes told by Taffy Thomas. And if anyone fancies calling on Rory for tea one day, then full and detailed instructions are given in the absurdly infectious Directions song. Fun for all the family.
Colin Irwin. FOLK ROOTS August 2007
Songs For Big Little People:
Rory McLeod’s new album is a wonderful vote of confidence in our world’s children. And anyone with an ear for a good tune, song or story will love this CD. I could stop right there but I’ll support my argument with a review of his latest CD Songs For Little Big People. Rory McLeod has produced a great album, 21 tunes, songs and stories which carry us on a journey with the wind. The wind and breath are kind of an overall theme on the album and as pointed out in the sleeve notes some of the material is also used in ‘Huff Puff and Away’ a dance-theatre piece for kids by Scottish Dance Company ‘Tabularasa’. Right from the start the rhythm of the tap shoes, percussion and guitar claims your attention, and the voices and syncopated rhythms of breath tells you straight away that here is someone who can tell a story, sing, play and mix it all up into a magic potion.
I think one of the ideas behind this, was to make an album of new songs and stories for children which broke away from the sometimes rather condescending pat-on-the-head approach. It does exactly that, it’s full of poetry and wisdom on life. Windfall is a story of relativity, how meanings and abstracts exist not in spite of but because of their opposites. This is told in the story of a windfall, a year of good luck, when the apples fell down from the trees and harvest was easy. ‘If some people didn’t have bad luck there would be no luck at all’. Other favourites are Death In A Nutshell, a little story of the big things in life, Where the Wind Lives, a wonderful personification of the wind in all its disguises, Heaving Breath for its catchy tune and Balloon Dance just because it makes my daughter smile and twirl. With this album Rory McLeod will feed our children’s imagination and breathe a little life into our own.
Pernille Rutzou. Living Tradition. Issue 75